“Emily As Sleep In A Palm” has been accepted by Spittoon for publication in release 3.3, due out September 1.

“The Narrow Cut” and “The Tension Between the Concrete and the Ethereal” have both been accepted by the South Dakota Review for their 50th anniversary release.

The new release from Rufous City Review, complete with “Emily As The Silences Are A Beacon” has gone up.  You can read it here.

“A Violent Sound in Almost Every Place #19” and “A Violent Sound in Almost Every Place #123” have both been accepted for publication in a future issue by Albatross.

The new release from Petrichor Review, including a new poem of mine, “Emily As Honeysuckle” has gone up.  Here it is.

“A Brief Suspension of All History #36” has been accepted by The New Poet for their September issue.

Really, it’s been out for a while, but I just got my copy in the mail today.  Included in this gorgeously designed volume of Permafrost (Winter 2013) is a poem of mine “Emily As Not Drunk, But By Love”.

“What The Fuck Are You Telling Me?”, one of the Mancini/Kim poems, has been accepted for publication in the 2014 Moon City Review.

“They Were Garnet” has been accepted for publication by Euphony Journal out of the University of Chicago.

“Emily As Not Fate, Not Lightning”, “Emily As An Event”, and “Emily As The Air Trembles With Our Voices” have all been accepted by Gambling the Aisle.