Author: dcd1981

4/30/25 has been accepted for publication by Apocalypse Confidential.

Emily as The Comb in Her Hair Becomes a Centipede has been accepted for publication by Midwest Quarterly.

Emily as I’ll Never Forget that I Happened to Be Particularly Down the Day I Wrote My Best Emily Poem, Emily as Her Own Vernacular, Emily as Oh, Yeah?, and 4/16/25 have all been accepted for publication by Ultramarine Review.

“Emily as Frequencies of All Kinds”, “Emily as Blue Violence”, and “Emily Mint Rises” have all been accepted for publication by Trampoline Poetry.

“Emily as Marilyn Monroe from The Marilyn Calendar, 1952” and “Emily as Te avae no Maria by Paul Gauguin” have both been accepted for publication by Resonance Journal.

Emily as We Make Love in a Boat Parked in the Used Car Lot and Emily as What She Wrote have both been accepted for publication by Elevation Review.

“And Still”, “Emily as Christmas Day, 2023”, and “Emily as White Gardenias” have all been accepted for publication by Weber.

“Emily as Hélène Fourment as Aphrodite by Peter Paul Rubens” and “Emily as Lady Lilith by Dante Gabriel Rossetti” have both been accepted for publication by Sucarnochee Review.

“Emily as the Tumbling Place” has been accepted for publication by White Wall Review.

“What We Called Fruit #7” has been accepted for publication by Backwards Trajectory.